"Maybe it just boils down to: I'm a woman who's really into her career, so I'm obsessed with the craft of my work. … There's a romance in that for me.” ―Mitski Who is Mitski Mitski Miyawaki (born Mitsuki Laycock; September 27, 1990) is a Japanese-born American singer-songwriter. Mitski self-released her first two albums, Lush (2012) and Retired from Sad, New Career in Business (2013), while studying studio composition at Purchase College's Conservatory of Music. These albums were created originally as her senior project at Purchase. She released her third studio album, Bury Me at Makeout Creek, in 2014 through Double Double Whammy after graduating. She then signed with Dead Oceans in 2015 and released her critically acclaimed albums Puberty 2 (2016), Be the Cowboy (2018) and Laurel Hell (2022), the last of which entered the top ten in several territories. The Guardian dubbed her the "best young songwriter" in the United States. Mitski's Early Life Mitski Miyawaki was born Mitsuki Laycock on September 27, 1990, in Mie Prefecture, Japan to an American father and a Japanese mother. Her first language was Japanese. She moved frequently while growing up due to her father's job at the United States Department of State, living in Turkey, China, Malaysia, the Czech Republic, and the Democratic Republic of Congo before settling in the United States. She sang in a choir in high school and was 18 when she wrote her first song on the piano. Mitski's Musical Style Mitski's lyrics often explore her anxieties and have been coined by some as 'sad indie girl music,' a category many women who write emotional lyrics are put into. E. Alex Jung described her as "an artist whose music feels like being ushered into a private opera house of melodrama" with lyrics full of "roiling fury, destructive impulses, humiliation, longing, heartache, and hunger". Angie Martoccio of Rolling Stone described her earlier albums as a "wry running commentary on twentysomething angst, raw desire, and often unrequited love". Lucy Dacus, a singer-songwriter who has at times opened for Mitski, described her music as “really visceral ... She’s connected to a part in herself that wants to scream. Maybe you don’t live in a space where you can scream, or maybe you don’t have the words for what has happened to you. Mitski provides a space for that.” Similarly, Mitski has described her music as a place where people “can put all of their feelings, their ugliness, that doesn’t have a place in their own lives.”